ÿþ<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN"> <!-- saved from url=(0040)http://www.thepharostrust.org/ondine.htm --> <HTML><HEAD><TITLE>BCM_Book_launch</TITLE> <META http-equiv=Content-Type content="text/html; charset=unicode"> <META content="MSHTML 6.00.2900.2180" name=GENERATOR> <style> <!-- h1 {margin-bottom:.0001pt; page-break-after:avoid; font-size:11.0pt; font-family:"Arial Narrow"; font-weight:bold; margin-left:0cm; margin-right:0cm; margin-top:0cm} h6 {margin-top:12.0pt; margin-right:0cm; margin-bottom:3.0pt; margin-left:0cm; font-size:11.0pt; font-family:"Times New Roman"; font-weight:bold} h5 {margin-top:12.0pt; margin-right:0cm; margin-bottom:3.0pt; margin-left:0cm; font-size:13.0pt; font-family:Arial; font-weight:bold; font-style:italic} --> </style> </HEAD> <BODY bgColor=#ffffff> <CENTER> <TABLE cellSpacing=0> <TBODY> <TR> <TD width="285"> <p align="center"> <img border="1" src="Antonio%20Manuel%20front%20cover%20image.jpg" width="163" height="193"><BR></TD> <TD width="697"> <p align="left"><b><span lang="EN-GB"><FONT face=Arial size=2> <br> </FONT><FONT face=Arial> BRAZILIAN CULTURE MONTH</FONT><FONT face=Arial size=2><br> </FONT></span><FONT face=Arial size=2> <BR><span lang="EN-GB">BOOK LAUNCH</span></FONT></b><p align="left"> <span lang="en-gb"><b><font face="Arial" size="2"><i>Antonio Manuel</i><br> Pharos Publishers</font></b></span><p class="MsoNormal"> <font face="Arial" size="2" color="#003366"><b><span lang="EN-GB">19 October 2006,19.30</span></b></font></p> <p class="MsoNormal"><b><font face="Arial"><font color="#003366"> <span lang="EN-US" style="FONT-SIZE: 10pt">ARTos Cultural and Research Foundation<br> </span><span lang="FR" style="FONT-SIZE: 10pt">64 Ayion Omologiton Avenue,<br> 1080, Nicosia<br> </span><span style="FONT-SIZE: 10pt">¤</span></font><span lang="FR" style="FONT-SIZE: 10pt"><font color="#003366">el: 22445455<br> Fax: </font><span style="COLOR: #003366">22818128</span></span><span lang="FR" style="FONT-SIZE: 10pt; COLOR: #003366"><br> Email: </span><span lang="FR" style="FONT-SIZE: 10pt; COLOR: #333333"> <a style="color: #003366; text-decoration: underline" href="mailto:info@artosfoundation.org"> info@artosfoundation.org</a></span><font color="#003366"><span lang="EN-GB" style="FONT-SIZE: 10pt"><br> </span></font><span lang="EN-GB" style="FONT-SIZE: 10pt; COLOR: #333333"> <a style="color: #003366; text-decoration: underline" href="http://www.artosfoundation.org"> www.artosfoundation.org</a></span></font></b><font face="Arial"><span lang="EN-GB" style="font-size: 10.0pt; color: #003366"><br> </span></font> <span lang="EN-GB" style="font-size: 10.0pt; font-family: Arial; font-weight: 700"> <font color="#003366">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</font>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</span></p></TD> <TR> <TD colSpan=2> <p class="MsoNormal"><font face="Arial"><span lang="EN-GB"><font size="2"> <br> Pharos Publishers are launching the book <b><i>Antonio Manuel</i></b><i>, </i>a</font></span><span lang="EN-US"><font size="2">n</font></span><span lang="EN-GB"><font size="2"> exhibition catalogue following the installation <b><i>Occupations / Discoveries</i></b> by the artist held in October 2005 at the Pharos Centre for Contemporary Art, Nicosia. </font></span></font></p> <p class="MsoNormal"><font face="Arial"><span lang="EN-GB"><font size="2"> The 256-page illustrated catalogue is edited by<b> Michael Asbury </b>and <b> Garo Keheyan </b>and </font></span><span lang="EN-US" style="color: black"> <font size="2">will be available in Greek, Turkish and English</font></span><b><span lang="EN-GB"><font size="2">. </font></span></b></font></p> <p class="MsoNormal"><font face="Arial" size="2"><b><span lang="EN-GB">The Artist</span></b></font></p> <p class="MsoNormal"><font face="Arial" size="2"><span lang="EN-GB">Antonio Manuel began his career as an artist in Rio de Janeiro during the late 1960s when he became acquainted with key figures of the Brazilian art scene such as the art critic Mário Pedrosa, and artists Hélio Oiticica, Lygia Pape and Ivan Serpa. Like many of his contemporaries, such as Cildo Meireles, Artur Barrio, Ana Maria Maiolino, he developed a posture that expanded the limits of art practice, increasingly focusing on the body as a vehicle for his propositions. Partly a consequence of the socio-political environment, partly a creative strategy, he worked in the interstices of cultural dissemination appropriating imagery and sometimes the actual circuits of circulation of mass communication. </span></font></p> <p class="MsoNormal"><font face="Arial" size="2"><span lang="EN-GB">Often focusing on the relation between outside and inside, his work has consistently questioned consensual notions of art through interventions in museums, newspapers or in the urban environment. He has exhibited internationally in major museums, Biennials, and galleries and has had solo exhibitions at institutions such as the Jeu de Paume in Paris, Museu Serralves in Porto and the Hélio Oiticica Centre in Rio de Janeiro. Antonio Manuel works and lives in Rio de Janeiro. He is represented by Gabinete de Arte Raquel Arnaud in São Paulo, Brazil.</span></font></p> <p class="MsoNormal"><font face="Arial" size="2"><b><span lang="EN-GB">The Exhibition</span></b></font></p> <p class="MsoNormal"><font face="Arial"><i><span lang="EN-GB"> <font size="2">Occupations / Discoveries</font></span></i><span lang="EN-GB"><font size="2"> </font></span></font></p> <p class="MsoNormal"><font face="Arial" size="2"><span lang="EN-GB">At the Pharos Centre for Contemporary Art, Antonio Manuel constructed an installation that would invite recontextualisation. Conceived in relation to the celebrations of five centuries since the discovery of Brazil by the Portuguese, the installation also dialogued with the legacy of Brazilian modern architecture and opened itself as a response to the topology of the divided city of Nicosia. The exhibition has also included a specially commissioned work and performance relating to events that have marked the recent political agenda of Cyprus.&nbsp; The exhibition was curated by Michael Asbury, Research Fellow at the Centre for Transnational Art, Identity and Nation, University of the Arts London</span></font></p> <p style="margin-left: 0cm; margin-right: 0cm; margin-top: 0cm; margin-bottom: .0001pt"> <span lang="EN-US" style="font-size: 10.0pt; font-family: Arial">&nbsp;</span></TD></TD></TR></TBODY></TABLE></CENTER></BODY></HTML>